Revisiting: Le Maître des Âmes (1987)

      

Le Maître des Âmes

France

Ubisoft (developer and publisher)

Released in 1987 for DOS and Amstrad CPC

Date Started: 24 December 2010
Date Ended: 12 November 2017

Total Hours: 17

Difficulty: Moderate (3/5)

Final Rating: 30

Ranking at Time of Posting: 153/271 (56%)
               

Like most French games of the era, including Ubisoft's prior two titles (Fer & Flamme et L'Anneau de Zengara), Le Maître des Âmes ("The Master of Souls") offers a sense of the bizarre that goes beyond the simple fact that it's in a foreign language. French RPGs of the 1980s feature weird combinations of plot elements from mythology, fantasy, and sci-fi, NPC dialogue that makes little sense even in its original language, vague quests, and odd in-game asides. It's as if their developers felt that RPGs were the next frontier for the Surrealist movement. Like the British ZX Spectrum games from the same era, they stand out for their originality in game elements and interfaces. In contrast to Germany, where RPG development was immediately influenced by The Bard's Tale and a few other U.S. titles, France built everything from scratch. More often than not, I hasten to add, the results were weird and unsatisfying rather than praiseworthy, but at least I never look at a French RPG and say "this again?!"

When I first encountered Maître back in 2010, I lacked the overall historical perspective that I have now. I liked the game but didn't understand the full scope of the originality that it offers. Take its approach to its dungeon structure. Among its American peers, featureless corridors with minimal interactability will be the norm into the mid-1990s. Maître, on the other hand, offers hand-crafted rooms for its tiles. Not only do these rooms show details sensible for their types--bunk beds in the barracks, tables with food and discarded bottles in the dining hall--but each tile offers different views from each of the four facing directions. Even more important, many of the objects seen on these screens are interactable, including objects you can pick up, switches you can pull, food you can eat, and signs you can read.
    

Maitre offers a strong sense of mise en scène.

     
Its approach to NPCs also predates most U.S. titles by nearly a decade, offering a variety of questions and answers for each character you encounter, including some clear role-playing options. And just about any intelligent creature doubles as an NPC. Orcs can be engaged in dialogue before they attack you. A sample:
      
Q. Who are you?
A. I am an orc guard of the castle.
Q. What are you doing here?
A. I stop strangers from getting in.
Q. Give us a hint.
A. Tremble, for the demonic lord is coming to Earth.
Q. Come with us.
A. Over my dead body. Sons of dogs.
Q. Goodbye, and good luck.
A. I curse you for eternity.
          

Conversing with an orc.

    
Unfortunately, it's not all positives. The control system is cumbersome, the CGA colors awful, the magic and combat system stunted and unsatisfying. Navigation is difficult, though by design. These negatives allowed it to slide off my radar after I first engaged it, never intending 7 years to pass before I returned. I have to make sure the same doesn't happen to Deathlord.
    

Part of the in-game backtory.

    
Maître begins as a party of four adventurers enters a keep to find out what happened to its wizard, Kharam Akkad (sometimes spelled "Kharram"), who disappeared during a violent storm that still ravages the land. The characters are drawn from six classes--warrior, magician, cleric, thief, dwarf, and elf--and assigned random scores between 1 and 99 in life, strength, intelligence wisdom, dexterity, and charisma. You only get one shot at the random rolls per character; if you don't like the statistics, you have to start completely over. The game also changes the originally-rolled numbers behind the scenes. Some of the changes make sense; for instance, warriors always get a 30-point increase to strength and thieves always get a 30 point increase to dexterity. Other changes make less sense, such as the elf losing intelligence (though not a consistent amount). Charisma is either bugged or the developers didn't want anyone having a high score; anyone who rolls more than a 30 is sent down into the single digits.
     

The game describes a thief like he's MacGyver.

     
You don't get to name your characters. After creation, you can spend a randomly-generated amount of gold on weapons, armor, shields, and lanterns. One oddity of the game is that you can only have two items equipped at once. One will assuredly be your weapon, and except when solving puzzles, the other is likely to be your suit of armor. Thus, shields are somewhat useless.
   

Choosing from a selection of equipment items.

   
I went with a dwarf, thief, magician, cleric party. They begin in a nondescript hallway with a small sign on the wall that warns that the château will be defended under "pain of prosecution." A locked door to the west would seem to serve as the entrance, but later the party finds a key to this door, and it leads further into the castle, so it's not really clear how the party arrived at the starting square.
      

Starting out. We'd better get those weapons equipped.

     
Movement is with the number pad. A row of buttons activates the game's various actions: look, listen, eat, sleep, take, open a door, talk, attack, and disk operations. Most of the buttons have dual purposes depending on whether you apply them to the environment or to the party. The eye icon reads signs in the environment, for instance, but checks statistics and health when applied to the characters. The hand picks up items in the environment but goes to the character's inventory when used on the left side of the screen. The manual says that these various actions have keyboard backups, but I wasn't able to get any of them to work.

The opening area seems small. A few squares of corridor offer doors leading into an armory, some barracks, a kitchen, a dining room, and a passageway with a couple of bedrooms. A chef in the kitchen says that he's making lunch. If you pay him for a tip, he warns you to "beware of howling mushrooms," a reference to creatures in a nearby hallway. The dining room has a bag of gold on a shelf and a note on the wall advertises a "catch the axe" contest next Saturday. Both rooms have a couple items of food.
     

A rat sensibly appears in a pantry.

    
Orcs guard the barracks and the bedroom foyer. The armory and one of the bedrooms serves up combats with rats. Keys found in the various rooms open doors to other parts of the castle, but to really progress, you have to find secret doors. Some of these are activated with chains or switches; other times, you just click on the wall that you think might have one (meaning you have to click on every wall). Soon you discover that the small opening area branches out into a multi-leveled castle of hundreds of rooms.

There is no strategy to combat. You simply select the combat option and repeatedly hit the SPACE bar. You and the enemy exchange blows which are registered with the word "Paf!" Enemies have a way of respawning if you linger around the room. None of them are named, but by visualization, you fight orcs, werewolves, goblins, giant spiders, bats, rats, and various demonesque creatures.
     

Paffing down the hit points of something like a minotaur.

     
As you kill enemies, you gain experience, which causes your attributes to increase. Well before the end of the game, my characters hit the max of 255 in their primary statistics.
       

Some of my attribute values towards the end of the game.

      
I have no idea about spells. The spellcasting classes start with a few: "Language," "Protection," and "Vision" for the mage and "Healing" for the priest. But once cast, they don't seem to replenish. There seem to be no offensive spells.
     

Once I cast them once, just to try them out, they never came back.

     
The castle ultimately has somewhere between 150 and 200 rooms; a detailed map is vital. Many rooms have locked doors, and during your adventure you collect an astounding number of keys, none of which can be safely dropped. Other times, you have to hunt for a switch to a secret door, and still others, you click on a blank wall with a key to open a secret door. Even more insidious are the common navigation puzzles and traps, including one-way secret doors. Several times in the game, I found myself trapped in a room I simply couldn't get out of.
     

Opening a door with a key.

And activating a secret door by pulling a wall switch.

     
Worst of all are the pit traps. About half a dozen rooms have floors that spontaneously collapse, dumping a random selection of party members to a lower level. They never dump all the party members, and usually you can't simply walk around until the remaining members fall into the pit, too. Instead, you have to navigate separately until you can find a place to reunite.
      

The entire party besides the NPC falls through a pit trap in a kitchen. You switch between parties with the top icon.

     
For the most part, you don't get any weapon or armor upgrades. Almost everything you find is identical to what you purchased in the beginning. Other than keys, you're mostly looking for potions and food. (Light sources are also important, but you only need one per party and they never run out.) Each character has an individual nutrition statistic. When you eat, it goes up, then slowly counts down to 0. There's enough food in the game that it's not hard to keep from starving. Potions are more of a crapshoot. Some will poison you or outright kill you, but you have to experiment anyway because it's the only way to restore hit points. Sleeping, as far as I can tell, doesn't seem to do anything.

Inventory management is frustrating as hell. Each character only has four slots, and it takes an annoyingly long time for a little animation to complete that makes the slots appear. None of the inventory items are labeled. Well until the end of the game, I had things in my inventory that I had no idea what they were, including a couple of things that looked like bottles and one thing that looked like a book. I found no productive way to fiddle with them. Dropping items is also much more difficult than it should be, as you can only drop an item where the game screen has a designated space for one--usually because an item is already there. You don't so much drop things as exchange them.

Moving to one of the game's positives, there are several NPCs who will join your party, including:

• Maltorn, a knight from a village up the river from the castle who also seeks to end its curse.

• Baldigorn (but "you can call me Baldi"), an orc searching for Kharam, who he calls his "benefactor." You have to make sure to take him, as he has a key vital to the final area.

• Shazall, a mage and an old friend of Kharam. He carries a runic dagger that's necessary to defeat the guardian of a magic sword.

          

A knight and the party discover that we're on the same quest.

     
NPCs sometimes have key quest items, so you want to take them all at least briefly. They have a way of randomly disappearing when you enter another NPC's section of the castle.

There are also a few NPCs who won't join the party but offer hints in dialogue. A woman introduces herself as Aniella the Valkyrie, for instance, and claims she died in the castle but Kharam Akkad wouldn't let her go to the land of the dead. She warns you about the necessity of having a dagger to defeat a specific guardian. Elsewhere, a thief named Licors, looting the castle "for nice things for my home," confirms this intelligence.
     

"I am from the realm of the dead, where I would like to rest in peace."

    
Before I describe the endgame, there's one last aspect worthy of commentary: the signs. More than half of the rooms have some kind of sign, placard, or inscription, some almost hidden in regular patterns on the wall. Some are clues, some are warnings, some are jokes, some are just there for atmosphere. It certainly made my progress slow to have to stop and translate so much. They're alternately written in orcish, kobold, or magic runes, and you have to have the character with the proper language skill active to read them (just as you do in NPC dialogue). A number of examples:
    

• "You who enter here, know that you will never go out again"
• "There's no point in dying"
• "To open your mind, break your head."
• "The location of the final combat will be scattered with stars." 
• "You had so much trouble coming here, you deserve to stay forever."
• "Take advantage of the weak point of the demon to slay him." 
• "Save me from the abyss of time. - Kharam Akkad."

The characters translate yet another insulting sign.

     

To win, you have to find your way to a chamber in which the demon Gol Golgoth resides. Although his chamber has doors, I was never able to find a key for them. The only way I was able to enter was to drop through a trap door in the level above. The right character has to do this, as Gol Golgoth is only defeatable with a magic sword that you find in an armory in a different section of the castle, and only thieves and warriors can wield swords. The armory, meanwhile, is guarded by a creature who's only vulnerable to daggers. 

     

Two party members disappear down the hole.

    

It's even more complicated than that. I wasn't able to find a way back from the armory area except through yet another trap door. Again, since all your characters won't fall down trap doors, the only way I was able to win the game was to lose most of my party along the way. First, my warrior, thief, and cleric fell down the door returning from the armory, leaving the mage behind. Then, I had to reload a few times until it was my thief who fell down the trap door leading to Gol Golgoth's chambers. He took on Gol Golgoth alone, but he was able to kill him with the magic sword and end the game.

     

The thief takes on the mighty demon lord by himself.

     

The epilogue shows a cool graphic . . .

       

I'll bet that within 12 hours, we'll know where this was copied from.

      

. . . and then proceeds with some text:

     

Moons and moons have passed since this glorious adventure. The sky gradually cleared up and let through rays of sunshine on a fertile land.

Vanir, freed from its fears, became the city of the Blue Star, a sacred place, an eternal symbol of peace and justice.

Of our heroes, no one knows where they went. But their story will be told for centuries to come.

     

The story ultimately ended up being somewhat nonsensical, more allusion than tale. It's unclear why Gol Golgoth is called "the master of souls" or what exactly happened to Kharam Akkad, particularly since the latter doesn't return in the endgame. Like Ubisoft's previous efforts, much is cribbed here from the legends of Conan, including the proper names Vanir, Kharam Akkad, and Gol Goroth.

    

Some kind of giant insect pledges loyalty to Fafnir, King of Vanir, another character from the Conan mythos.

     

In the end, I found Le Maître des Âmes rather charming. Its mechanics are poor, but the NPC interaction was top notch, and I liked the sense that I was exploring a real place. In a GIMLET, it earns:

• 4 points for the game world. The textual parts are a bit unsatisfying, but the castle has a strong sense of thematic and physical integrity.

• 3 points for character creation and development. There aren't enough options during creation, but development is relatively steady, and you do feel the characters becoming more effective in combat.

• 6 points for NPC interaction. With a number of questions and attitudes, plus the ability to enlist NPCs into the party, few games of the era are doing it better.

• 2 points for encounters and foes. The monsters are boring and unnamed and lack anything that really differentiates them. There are no non-combat encounters.

• 1 point for magic and combat. The magic system is nearly non-existent and there are no combat options.

     

A giant spider blocks a hallway.

        

• 3 points for equipment. The system is annoying to navigate and there aren't many items, but I like the way they're distributed in the environment.

• 1 point for economy. There are a handful of treasure chests and bags of gold, but you only need them to bribe NPCs for hints, and there are only a few of those.

• 2 points for a main quest with no options or side quests.

• 3 points for graphics, sound, and inputs. Graphics are well-detailed, even if the color is awful, but sound is minimal and the control system is frustrating.

       

The Amstrad CPC version is capable of multiple colors at once.

      

• 5 points for gameplay. Somewhat non-linear, the right difficulty, and the right length.

               

That give us a final score of 30. That's about where it should fall. It doesn't have enough good RPG mechanics to truly recommend it, but there are some innovative things here. It's certainly much better than Ubisoft's previous offerings.

     

The manual's artwork is a bit different than the game's.

      

I haven't been able to find contemporary reviews or accounts of it, but I guess it was popular enough to justify a sequel, the even-more obscure Le Maître Absolu, in 1989. It promises a sci-fi setting, and I'm looking forward to seeing how the developers updated the engine. Both games are credited to Eric Doireau and C. Le Scoarnec, neither of whom have many credits beyond these titles.

It's nice to finally complete this game in my spreadsheet, leaving only my suspended attempts at Deathlord blank. I'll return to that one before the end of 1987 as well.

Le Maitre des Ames: De Retour au Château

"Together we shall vanquish the evil. I am swearing."

Le Maitre des Ames continues to offer up interesting gameplay elements and tantalizing clues. Wandering the halls, amidst slaying orcs, mushroom people, and rats, I managed to pick up an NPC, learn from a disembodied spirit that looks like a bee that someone named Baldigorn holds the key to victory, and to learn from a sign that to kill someone (presumably the big lizard an orc told me about), I need to protect myself from his claws.

Okay, is he saying he's a spirit enslaved to Kharam, or that he is Kharam's spirit?

As I mentioned in my last Maitre posting, reader Eugene Hung was kind enough to refer my translation request to a friend of his, Julien Van Reeth. Julien kindly translated the entire manual for me, clearing up much of my confusion about the game--particularly how to cast spells. Thanks a lot, guys!

There are still a couple of mysteries to the game: I've found items that look like potions but for the life of me I can't figure out how to use them, and I don't know how or if my accumulated experience translates to levels. When I create a party, my characters don't seem to keep the same statistics that I originally rolled (maybe this is a bug instead of something I'm confused about).

I take it "miam!" means "yum!"

The manual tells you how to eat, but it isn't very helpful as to the question of when to eat. Each of my characters has a "hunger" (faim) score, but I can't tell what it means. Sometimes when I eat it goes down, sometimes it goes up. So does a high faim score mean you're hungry or full?

As I continue to play, I'm realizing how futile it is to map the castle. First, the game gives you no indication--no stairs, no ladder, nothing--when you go "down" or "up" a level. You just go through a door that ought not to be there and wind up in a place that's impossible on your existing map, so you figure you've gone up or down. On Level 2, meanwhile, I ran into a series of rooms with signs next to the doors that read "Those who enter here never come out." Prophetically, all the doors seem to double back on themselves, locking you in a series of about six rooms. It took me a while to find the right door would get me out.

One of the game's more annoying features is that you can only equip two items at the same time, and yet the game offers three basic items: weapons, armor, and shields. I guess the shields are a bit superfluous. But that pales in comparison to a maddening interface element. When you click on your characters to see their stats or inventory, instead of briskly popping up the relevant screen, the game runs through a tiresome on-screen animation. It only takes a few seconds, but those seconds add up and get on my nerves.

On the plus side, dying offers one of the more memorable on-screen graphics of any game:

My characters deaths have doomed the whole world!

I know I've been going a bit nuts with videos lately, but DOSBox just makes it so damned easy. The brief video below shows the process of several combats, finding hidden doors, reading signs, picking up items, and using keys. I used YouTube's commenting features for the first time to add some commentary and translation to the action. When I get a chance, I'll explore video editing software that will also allow me to add audio commentary (suggestions welcome).

While I continue to like this game and think that it has promise, I don't look terribly forward to my gameplay sessions. First, the process of constantly translating is a little tiresome--why do the French games have to be the wordiest games? (If Mission: Mainframe was in French, it would hardly be any different.) (And yes, I know how lame that complaint must seem to those of you who said you learned English from CRPGS; by the way, Rizla, where did you go?) Second, the overall uncertainty the game leaves me with respect to items, food, and leveling makes it hard to just sit back and enjoy it.

I figure I'll keep playing at least until I encounter this giant reptile that the NPCs keep going on about--I'm guessing it's the "big boss" of the first part of the game or something. Then I'll reassess.

In the meantime, if anyone knows of any Spanish CPRGs, do let me know. I'm going to Argentina in a few months on business, and I really need to start brushing up.

*****

Notes from 12 November 2017: For some reason, I abandoned Le Mâitre des Âmes after this entry, but I picked it up again seven years later and completed up. Read the updated coverage.

Le Maitre des Ames: Trés Agréable

"Menu of the day: disgusting sheep, rancid peas" (?)

I admit I started playing Le Maitre des Ames with the idea that I would probably just put in the six hours, collect the bonus points for trying out a non-English game, and then move on. I was almost relieved when it seemed technical problems would keep me from playing. But with those problems solved and thus no excuse, I pushed forward, and I'll be damned if Le Maitre des Ames doesn't have a real charm about it. It contains several elements that I'm finding for the first time in a first-person CRPG; it's somewhat of an evolution from Dungeon Master on the way to Ultima Underworld.

Let's cover some of the ways this game distinguishes itself from its predecessors:

• Each room has its own character: different furniture, different wall-hangings, and a different look to the doors.

• The game (or, at least, this first level) is arranged in a logical manner. There's a dining room next to the kitchen, for instance, and an armory next to the barracks.

• Monsters are in logical places for logical reasons. Orc guards patrol passages, rats hang out in storerooms, a cook is working in a kitchen, and an exhausted fighter rests in a bedroom.

• You can talk to almost all sentient creatures (not the rats, obviously). Most have interesting things to say.

• You can pick up a lot of the things in the rooms. Unfortunately (see below), I don't know what many of them are.

Picking up a key.

• The game is full of secret doors activated with switches and chains on the walls.

• There are messages all over the walls. Some help me, some taunt me. Some I'm having trouble translating; one seems to say "Nothing will die, but you have to start somewhere." My favorite: "Your passage, only the dust will remember."

• You can split your party and have them explore separately. I found this out when it happened accidentally: one of my characters fell through a hole in the floor and ended up alone. Fortunately, I was able to reunite them.

My dwarf has fallen down a hole and is "absent."

I had several interesting encounters in today's gameplay. The first was with a cook in the kitchens. I'll offer my entire conversation:

 

• Me: Who are you?
• Cook: I am the cook of the royal high court of Vanir
• Me: What are you doing here?
• Cook: I'm making a vinaigrette dressing out of wood lice [I think]
• Me: Who is your king?
• Cook: My king was the greatest of all. He died.
• Me: Who is your master?
• Cook: The great Akkad, but he disappeared a long time ago.
• Me: Who is your god?
• Cook: Nilgar, patron of the traditional high cuisine.
• Me: Do you want to help us?
• Cook: I have no time, what with lunch and everything.
• Me: Give me a clue.
• Cook: Nothing is free in this world, you know?
• Me: Name your price.
• Cook: It will cost you 22 gold pieces.
• Me: Done.
• Cook: Beware of the singing howler mushrooms.

 

I ran into them later.

 

• Me: Come with us.
• Cook: Are you kidding? With all the bugs swarming around here?
• Me: Goodbye and good luck.
• Cook: Your destiny is down the road. Goodbye.

Later, an orc tells me he is a guard of the castle and he's there to keep out intruders like me, that his god is Gol Goroth, the incarnation of evil (and taken from Lovecraft's Cthulhu stories!), and I should "tremble as the demon lord arrives on earth." When I ask him to come with me, he says something like, "Over my dead body, sons of dogs!"

Moments later, we discovered his statement turned out to be quite prophetic.

I run into a man named Rockeux who says he's searching for his old master, Sir Maltorn. I ask him to join me--he seems an obvious candidate for the empty slot the game leaves you for NPCs--but he says he's too exhausted to follow in my footsteps.

Now, not everything is la vie en rose with this game. Obviously, the color sucks. You can't name your characters. Your characters get hungry and you have to eat the food you pick up. Unless I'm missing something, combat lacks the tactics of Dungeon Master and just consists of hitting "fight" repeatedly; when you hit your target, it says "Paf!"

The wimpiest combat sound ever.

Most important, I can't tell what most of the equipment I'm grabbing is, and since each character can only hold up to four items, this is a bit of a handicap. There are some things that look like potions, and weapons and armor that I can't find a way to evaluate against what I already have. And I've yet to figure out anything about the magic system.

Some of you (especially you, Georges) have been a lot of help in translations--if anyone feels like helping me a little more, can you take a look at the manual and see if you can tell me what it says, if anything, about a) the different types of items you can pick up, and how you can tell what they are; and b) casting spells? (I OCR'd the manual but the watermark screws up the text order and keeps me from translating it all at once.) [Later edit: one of my readers got a friend who speaks French to translate the entire manual for me. I can't thank them enough, but I don't know if they want to be mentioned by name on the blog. Suffice to say: merci beaucoup to EH and JVR!]

Pending that, I'm going to probably dip back into Legacy of the Ancients for a day.

A good day's work. A bientôt!

Game 35: Le Maitre des Ames (1987)

"The Master of Souls," if anyone's curious.

As we saw, my first attempt to play a French CRPG wasn't exactly a rousing success. I didn't give up because it was a foreign game, and I didn't give up because I didn't have a manual. I gave up because of the combination of the two. Unfortunately, I'm facing the same issue with Le Maitre des Ames.


Translation isn't a huge problem. The game begins with several screens explaining the game's historique. It speaks of a forgotten time of heroes--warriors and wizards--in a realm of unicorns. A royal wizard named Kharram Akkad, on the verge of extraordinary discoveries, disappeared during a violent storm. The player's party of four heroes observed the destruction and has decided to assail the wizard's keep to...well, to figure out what happened, I guess. It's a basic setup to what looks like a standard dungeon crawl in the spirit of Dungeon Master--multiple-character, first-person, real-time.

Character creation was also fairly easy to figure out. It uses a system reminiscent of Alternate Reality: the City in which you watch a rapidly-changing succession of numbers from 0-100 representing six characteristics: life, strength, intelligence, wisdom, dexterity, and charisma. You hit the spacebar to "freeze" the numbers and take what you get.

"Thief"....something about having an eclectic selection of skills.

The game conflates classes and races, so you can choose your four characters from among warriors, magicians, clerics, thieves, dwarves, and elves. After making the selection, you spend a random amount of gold on some weapons and armor.

This is exactly where I would have expected to find a "glaive-guisarme" and a "bec-de-corbin."

After creating four of the characters, you find yourself in a badly-colored dungeon. These screenshots are easily familiar to players of American first-person CRPGs.


This is where I began to run into trouble. All commands are via the mouse, except for the number pad from which you can control movement. Right-clicking and left-clicking do different things depending what icon you have selected. As best as I can figure, from top to bottom, they are: move, look, listen, don't know because "talk" is below--maybe "eat?", sleep, pick up or trade items, open doors (usually doesn't work--maybe they need keys), talk, attack, and save/load the game. The problem is, I get inconsistent results when I click/right-click on various characters and objects.

The characters have little symbols next to them, too, and I think one indicates whether the character is in the party (it seems you can drop characters and have them wait at fixed positions) and the other indicates who is the "active" character.

Naturally, you encounter creatures. The first couple of times, I bumbled through combat with them:

The other options are "attempt to talk," "observe reactions," and "try to flee."

But later I tried talking to them and discovered something pretty neat: you can converse with monsters over all sorts of subjects: "Who are you?"; "Who is your master?"; "Where is your kingdom?" and so on. You can even ask them to join you!

At first, their responses were gibberish to me...


...but as a sly veteran of CRPGs, I realized that the intelligence of the active character made a difference. I switched to my wizard, and the foreign writing disappeared! Well...I mean, the in-game foreign writing disappeared. It was still in French.

Here, I'm asking him something about carrion, and he's telling me that I can't leave because of something to do with something reptilian. This is going to be hard.

By the way: "orc" in French is apparently orque. I probably could have figured that out.

Even though there's a lot I don't know yet, such as...

• Why can't I pass a lot of the doors?
• Why would I want to dislodge one of my characters from the party temporarily?
• How do I access my inventory?
• Can I do anything with the tables, shields-on-walls, and crates found in the game?
• Do killed monsters drop anything? How do I search?
• What is that face up above my game window? And what is the empty box next to it?
• Is there anything more to combat than just selecting "combattre" each round?
• How do I cast spells?
  

...I think I can figure it out, given time. The major problem I'm having is that the game won't save. Like many games of the era, it wants me to swap out the "game" disk with a "save" disk when I choose the save option, which of course doesn't make sense running it in an emulator. Most of the time I can find a way around this, but not with Le Maitre des Ames, yet.

My attempts to find a game manual--even in French--have failed, and my French definitely isn't good enough to peek around in message boards looking for solutions to the technical problem. (It doesn't help the Googling that there's a novel of the same name by an author named Irene Nemirovsky.) Georges, I'd be glad to take up your offer of assistance; likewise to any of my European readers. [Later Edit: Jason got me the manual, and I solved the save problem by mounting an A: drive in DOSBox. Looks like I have no excuse not to give this one a proper try!]

If I can get past the save issue and the gameplay mysteries, this might be a game worth playing. Certainly this depth of dialog is unusual in a first-person dungeon-crawler, and I really would like to explore it more.

I might take tomorrow off for family reasons, so Joyeux Noël, everyone!